The Worth of Words

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By , May 1, 2013

I’ve always lived in the borderlands. No place to call home. I am not a mother. I am not an academic. I am not a woman. I am not rich or poor. I am not a teacher. I am not a writer. I am…me. How does that find expression? Who are my soul mates? Others like me, certainly. There are many. They identify themselves to me at school, at family gatherings. Pulling me aside, quietly, secretly: “I just wanted you to know that I really like what you wrote about blah blah blah…”

It’s like water in the desert.

That’s what pulls me back to this blog. That’s what compels me to to put my pen to paper. It’s why I write and why I read. Just this morning I read a line in a book that startled me with its truth. It’s very important to remind people that there are threads connecting some of us at the deepest levels. We may not be the best teachers, students, parents, daughters, or friends; but we are the best for each other. We are there for each other beyond time and space.

A writer’s words carve their way into my soul like nothing else.

I am cleaning vomit off of my son at 3:00 A.M.. I am nursing my daughter back to sleep at dawn. I am standing at the kitchen counter wiping up crumbs, the words I long to write spilling out of my fingers and eyes and ears, lost forever to the wind because I don’t have the time or energy to create books, or stories, or articles. But they are there with me, these other women. Across time and space. Anne Lindbergh, Anne Lamott, Joan Didion, Maya Angelou, Barbara Kingsolver, Sylvia Plath, Anne Tyler, Sharon Olds, Faulkner Fox, etc. They whisper in my ear, “I know, I know.”

This is what I can give. I can tell other mothers, other writers, other women, that the journey is hard. It’s hard. But if I can give you words that you can weave into a blanket, or a life raft, or a balloon, than I have given you everything I can give.

 

 

 

 

Dusting off the old blog…

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By , May 1, 2013

I posted today on Facebook that it’s difficult to focus when you want to write All the Things. That’s been the trouble with this blog. Over the years it has suffered from an identity crisis that I find paralyzing. When I first started blogging in 2007 I thought this would be a writer’s blog, but I wasn’t doing much of any writing. Then I got pregnant and had two kids and thought I might make this a mommy blog.

A mommy blog! Ha! Yep, I was going to become one of those rich and famous mommy bloggers who gets invited to write for Salon.com and go on all the talk shows to share parenting advice.

Bahahahahaha!

What I failed to realize was that I don’t really like mommy blogs all that much, or talking about parenting. There are some writers out there who are astonishingly good at writing about parenting in a way that is funny, insightful, raw, and cuttingly honest, but they are not mommy bloggers. Nothing against mommy bloggers or mommies, but it’s not my scene.

This isn’t really a writer’s blog, yet, and it’s not really going to be a mommy blog, although I will continue to post here about both writing and being a parent. I don’t want to worry any more about what kind of blog this is. When I read David Sedaris I don’t think of him as a man, or a gay man, or an artist. I just think he’s hilarious and a good writer and reading him makes me forget about bad shit.

I’ve decided this blog is going to be about whatever the hell I want it to be about. Just because I’m a woman doesn’t mean I have to fit into one your little categories. So I’ll never get invited to BlogHer. I’ll never be courted by sponsors. CNN isn’t going to call me when they need a parenting expert. I may someday end up on CNN in a parenting story, but I can assure you it won’t be due to my parenting genius. It will probably be because I left my baby on the roof of my car or something like that.

I’ve also come to realize that I really don’t like having comments on my blog. I love the comments I have gotten in the past, and my beloved fellow bloggers who have taken the time to comment on my posts, but I’ve decided that it’s best to turn off that feature. There is so much baggage that goes along with allowing comments. First of all, it makes a person obsess about whether or not anyone is commenting and how to get them to comment. There is this rule in blogging land that you have to go around reading and commenting on millions of other blogs before people will comment on yours. We all have to go around writing “great post!” on blogs that we don’t really care about so people that we don’t really care about will do the same for us. The Existentialist in me can’t take it anymore.

The really popular blogs that allow comments tend to write articles that I call “comment bait.” Purposefully inflammatory pieces designed to fire up their reading base. Just visiting these blogs makes me feel a little dirty, and I’m not sure that the page views and advertising dollars are worth it. And frankly, most comments aren’t really contributing to the conversation in a meaningful way.

Finally, my favorite and most beloved blogs, the ones I look forward to reading every day, don’t have comments. There is something spare and minimalist and refreshing about this.

I will still read my favorite blogs, and I may even comment on them occasionally, but I love that I will no longer feel obligated. It changes the relationship. I can now read only the blogs I love.

After a lot of soul-searching, I have come to realize that I want to write this blog for only two reasons: because I love to write, and because there might be someone else out there who enjoys reading this. I no longer care how many there are. Just knowing you’re out there: my old friend who I haven’t talked to in a million years, my dear sister, my former students, family members close and distant, and the acquaintances who surprise me by revealing that they’ve visited here.

I shall now tell you stories. Think of me as the man standing on the street corner shouting about your salvation or your doom. You can stand and listen or nod, or your can scurry by, avoiding eye contact with those around you and lowering your head in embarrassment.

 

Head Over Heels

By , February 13, 2013

Happy Birthday to my little footling breech baby.

Four years ago, on the morning of Friday the 13th, the doctor hoisted her knee onto the edge of my hospital bed for leverage. She placed her slim, warm hands on either side of my belly and said, “That’s his head, and that’s his butt. I’m going to turn him now. You’d better relax, because this is going to hurt.”

Twelve hours later she sliced open my belly, pulled you out by your feet, and lifted you up in the air. Your father, holding my hand, said, “It’s a boy.”

Giving birth to you was nothing like I expected. Raising you has been nothing like I expected and I’ve learned the most important lesson of all, which is that we cannot have expectations for our life or for our children. We can only hold hands as the roller coaster careens around each corner. We can look at each other, look around, push the hair out of our eyes, scream, cry, laugh, and love.

Thank you Oscar, for filling my cup overflowing. Thank you for moving and dancing through my world. Thank you for everything you have taught me in your four years on this earth. I hope you have 100 more.

I used to think I would teach you everything I know and lead you into this world. Now I know that my job is to listen to your stories, hold your hand, and follow you where ever you want to go.

I love you more every day. More than I thought it was possible to love another human being.

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The Life of a Writer

By , February 11, 2013

Fifty years ago today Sylvia Plath took her own life. I’ve been fascinated with Sylvia Plath since I was twenty years old and came across a copy of  The Bell Jar. Twenty is a really good age to read this book; at the time her voice spoke to me in a way that nobody else could.

I went on, over the next two decades, to read everything by and about Sylvia Plath. I read her poems in grad school, I studied her short stories and her novel when I was learning to write fiction, and I devoured her diaries, letters, and biographers at each stage of my life that mirrored hers: writing, going away to college, finding love, teaching, becoming a mother, and grappling with trying to create a life that is both fulfilling and artistic.

I am not interested in how Sylvia Plath died. I try not to think about it because it only depresses me. I don’t care about her death; I care about her life. She was a fully formed, fascinating woman who worked tirelessly every day to balance her life as a mother and a writer. She craved domesticity, baking and sewing and relishing motherhood at the same time she wrote some of her darkest and most brilliant poetry.

When she was a single mother caring for two children under the age of three she woke between 4:00 and 5:00 every morning to get some writing done. In one month she put together an entire manuscript of poetry, Ariel, the book that would be published to great acclaim after she died. In the middle of this productive month, she wrote to her mother, “I am a writer…I am a genius of a writer; I have it in me. I am writing the best poems of my life; they will make my name.”

One of the things I love about Sylvia Plath is that she considered motherhood to be just as important a vocation as writing, but she refused to give up either one. She wouldn’t give up motherhood to be a better writer and she wouldn’t give up writing to be a better mother. She felt that motherhood, despite its difficulties, made her a better writer. She also knew that without writing, she wouldn’t survive.

And despite her death, she did survive. She was alive on this earth for over thirty years, she was a mother, and she wrote books which are still in print. She loved cooking and eating and she loved the ocean and drawing pictures and painting and sewing dresses for her daughter. She took ten-mile hikes and long baths. She learned to ride a horse on her 30th birthday.  She became a bee-keeper and played the piano for her daughter.

There are a lot of misconceptions about mental illness and creativity, and about the death of Sylvia Plath. She was not a genius of a writer because she was mentally ill, she was a writer and a mother in spite of  her struggles with depression. She did not commit suicide because she was a writer, or because she was a mother, or because her husband left her. She took her life in the throes of a clinically diagnosed depressive episode, one in which she had experienced before several times in her life. In fact, her previous suicide attempts, and her hospitalization in a mental institute, occurred before she had children and before she met her husband.

I do not admire her writing and read about her life because I am morbid, or depressed, or suicidal. I read her words because they are some of the truest words I have ever read about life, parenting, and being an artist. Her words speak to the universal truth about what it means to live at the edge of art and life, what it means to be pulled in many directions, and what it means to turn all of it, the love and pain and laughter and sleep deprivation and hunger and fear and wisdom and the experience of the senses, into words. On the one hand, her words are like a stone statue or monument: timeless, beautiful, and a lasting legacy. On the other hand they are alive, breathing, and ephemeral, like the moments spent with a young child.

 

In one of my favorite poems, “Morning Song,” she writes:

I’m no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind’s hand.

All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.

One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat’s. The window square

Whitens and shallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.

Oscar & Aria

By , January 28, 2013

Poor Aria! For the first few years of Oscar’s life I wrote him a letter almost every month. I read the infant development book with rapt intensity, curious about every developmental milestone. I carefully prepared organic fruits and vegetables for his first foods. I talked to him and sang to him and documented his early life with thousands of photographs.

Having two kids has wiped me out and blown my mind with how hard it is. Yes, I know people have raised more than two kids for millennia, but that doesn’t change the fact that it’s kicking my ass.

Aria still wakes between 3-5 times each night, and no, I have no plans to wean her, stop co-sleeping, move her to her own room, or let her cry it out. I will just suck it up and you (and the people I live with) will listen to me complain about it forever and ever, amen. Anywho, there is no extra room for her to sleep in, I’m not moving, and if she cries it out she will wake her brother. Plus, she has the cutest little, heart-wrenching, gut twisting cry. You try ignoring her.

Oscar slept through the night at 15 months, so hopefully she will too. Until then, I reserve the right to fall behind on my novel, my contracted academic tome, the laundry, and personal hygiene. Luckily, Aria is beautiful and sweet. I give her credit for that.

Oscar is so smart and funny, and I love him more deeply and intensely than ever before. Sometimes I watch his little body running around the house, playing with toys, doing whatever, and I am seized with such love and affection it breaks my heart.

He’s also a pain in the ass.

I feel like I was lied to and tricked. I always thought that parenting would be all downhill after the terrible twos. Oh, I know having teenagers is its own special hell, I’m referring more to the constantly on your feet chasing kids around and taking care of their every need. Downhill after two, right? The terrible twos?

Oh, what I would give to be back in the blissful, wonderful twos. I had no idea how good I had it.

Not only is Oscar not more dependent (I mean, he can’t do the dishes or the grocery shopping yet), he’s more high maintenance than ever. Everything has to be a particular way and it has to be that way NOW. When he decides he wants lunch he will pester me relentlessly until he gets it. I say to him, kindly and rationally, “Sweetie, you will have to wait until I’m done with such and such (i.e. surfing the internet or reading a People Magazine article) and then I will fix your lunch.” He then proceeds to hover nearby and say, “Are you almost done with your work?” Or if he asks for a snack, I tell him he can have one when I’m done eating my breakfast, lunch, etc. He then watches every bite go to my mouth, carefully analyzing my plate for tell-tale emptiness. “Are you done now, Mama?”

But he is just so stinking cute, so I can’t get rid of him. Every morning when he wakes up he says, “Where’s Aria?” Aria, of course, worships him in every way. As soon as he walks in the room her arms and legs start flailing wildly and she shouts with glee. Anytime he is nearby she cannot take her eyes off of him and will crane her neck to try to watch him even while she’s nursing, being changed, etc.

Oscar says to me, “Mama, you are best friend.” Last night, he kicked off his covers and asked me to cover him up again. I asked him why he did that and he said, “I like it when you make me nice and cozy.” When he can tell I’m getting frustrated by his nonstop prattle, he will say, “It’s okay, Mama, I’m done talking now.”

His favorite game to play is, “Accidents Happen!” in which various trains and cars find themselves in dire straights. All manner of accidents befall his toys, such as train derailments, landslides, floods, helicopter crashes, plane crashes, car crashes, hot-air balloon crashes, and various other apocalyptic events. All the while, he’s screaming, “Accidents happen! Accidents happen! Aaaaaaaaacidents haaaaaaaaaaaapen!”

Aria has absolutely no interest in baby toys but will go after her brother’s toys with an intense zeal. She’s also interested in power cords and choking hazards. From early on she hated and refused baby food purees but will happily dig into anything we’re eating. I’ve stopped worrying about stages and allergies and organic purity and just let her have everything. When she’s happy she does what I call “baby zombie breathing.” I can’t really describe it. Have you seen The Walking Dead? Yeah, it’s like that.

As I type this, Oscar is sitting on the bed playing with Aria’s baby toys (she has no interest in them but he loves them). He says, “Mama, I want a hammer and a drink!”

Aria is at my feet. She has such an impish grin I have to stop now and pick her up.

I can’t sit down for more than two minutes at a time.

I’m happier than I’ve ever been in my life.

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